Gravity, age and the body.

Cast no shadow: photo by Isaac Julien

I owe choreographer Russell Maliphant two things: a love for Sicily and an introduction to Rolfing. Let me explain. When I was in New York in November 2007 I went to see Cast No Shadow which combined choreography by Maliphant and filming  by Isaac Julien.  Parts of the film  had been shot  on the coast of Western Sicily. It sparked the beginning of my passion for the island of my ancestors, which I had not ever visited till then.  That evening I spoke briefly to Maliphant to congratulate him on his work and found out about his being a certified Rolfer, among other things.
 I never really got into Rolfing however until this year, never felt the need for it, but circumstances have changed. I have been suffering from severe back problems. A traumatic fall when I was much younger has left a mark on my spine and though for years I ignored the occasional ache it has now become increasingly difficult to pretend it is not there, so I have embarked on a tailor made programme, tailor made by me I should say, to try and find out what can be done. The conversation I had with Maliphant all those years ago and an interview with him I read online reawakened my curiosity and I decided to do  a course of Rolfing. It is a course because you need to do  ten sessions at regular intervals for it to be effective. It will help you to realign and learn a new way of inhabiting your own body. It also brings about new thinking and a new body awareness, which sadly most of us do not have.  Apart from Rolfing I am doing as much as possible by way of yoga, exercises for my spine to increase its flexibility etc. I am also pursuing a proper diagnosis through conventional medicine to find out whether I have low bone density and the beginning of osteoporosis, thus am undergoing scans. There is a history of osteoporosis in my family and having seen my mother being painfully crippled by it I am determined to fight it off.

Me in public speaking mode. Photo: City Academy

As I look around it really dawns on me that we are generally so unaware of our bodies. We focus so much on the way we look but we never learn to really pay attention to the way we feel in our body, the way we hold ourselves. As I am doing my course of Rolfing I am also having great conversations with my Rolfer. We tend to talk about the body of course  and in my last session we touched on  the relationship with gravity. Gravity affects us all and interestingly we have two ways of going about it: we either fight it, as I have been doing, in the sense that I always want to pull myself up and stretch as much as possible, sometimes being rather forceful in the way I handle my body -  I am talking more about a feeling, a sensation, than real actions - or we feel oppressed by it, which leads to allowing the body to curve as if carrying a massive weight - and we do carry that massive weight because gravity puts a lot of pressure on us. But there is another way of relating to gravity and that is becoming aware that gravity actually supports us. This change  in attitude can do wonders in the way  we stand, the relationship we have with our feet on the ground. For me it is something that at the moment engages much of my thinking and my actions. I also notice when I look at people in the street how ageing bodies have this tendency to shrink, the upper back develops kyphosis and that is most often, though not always,  the result of poor posture and unawareness.
There is so much that is being written about ageing and so much focus on what to do to conform to that ideal of agelessness that is being touted as what we ought to aspire to.  Though there are many articles that exhort us to exercise and pay attention to nutrition in order to be youthful there is absolutely nothing that  discusses our relationship with our own body and body awareness. This is such a glaring gap. I care little about how my body can look better if I wear x and y. I care a lot about the way I stand, I sit, I walk and I bend.  I care about being aware of my body.
As I age, to me this is the most important thing about my body and my person.

Comments

  1. Advanced musical training, like dancing, martial arts and other disciplines, involves a lot of body work that should lead to body awareness. So I get what you're saying. I like to think I have similar body-awareness, although with me it's a little more specialized. A massage therapist who worked on me years ago and had worked with other musicians commented that we musicians tend to think of our bodies as instruments.

    Do models usually get the kind of intensive training that (for example) you, Alex, have had as a dancer?

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  2. Hi Jochanaan
    I guess it depends on the model's background. But you will be surprised to hear that many professionally trained dancers do not always treat their body with the care it deserves especially when injured - for whatever reason. And when they stop dancing the body becomes a secondary concern - I was horrified when I realised that this is often , though not always, the case. Models have a tendency to be concerned with shape and body image because this is what fashion and art modelling too tend to emphasise.

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  3. Actually, that doesn't surprise me very much. The way of self-awareness is "the strait gate" that leads to true power and flexibility in playing, dancing, modeling; but lots of folks prefer shortcuts...

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